Every year since 1954, the secretive Bilderberg Group (named after the hotel they first met in the Netherlands), comprising elite powerbrokers from Europe and North America, has met to discuss, and influence, the changing global, political, economic and social landscape. Dotted amongst the usual suspects of Rockefeller, Kissinger and Soros etc. we see the presence of renowned Hollywood filmmaker Steven Spielberg. Spielberg attended the 1999 Bilderberg meeting held at Sintra, Portugal. What business does Spielberg, a chieftain of the 'entertainment' industry have secretly mingling with international bankers, military intelligence and world political leaders?

Since the 1970's, Spielberg has directed or produced seven of the top twenty grossing films of all time. Throughout his career we see an obsession with the alien/UFO/space theme. From the 1977 Close Encounters of the Third Kind to ET in 1982, to Deep Impact in 1998. All depict an invasion from outer space. Even the movie Jaws is littered with shooting stars and strange lights in the sky.

In February 1997 a leading light in the British film industry leaked the story that Spielberg and executives of his company DreamWorks had secretly met with senior Pentagon officials in Los Angeles. The officials told Spielberg to "stop everything" and produce a movie whose subject matter involved meteors and/or comets. One year later Deep Impact was in the can. The film describes a comet hurtling towards earth and the fight for who has the privilege of access to an underground bunker.

Who were these Pentagon officials and why were they so eager for Bilderberg asset Spielberg to produce a movie about a threat from outer space?

Commencing in December 2002, the SciFi Channel will screen Taken, Spielberg's 20 hour mini-series focusing on alien abduction. The cost of this production was a staggering $120 million - making it the most expensive mini-series in television history. You'd think Spielberg would by now have tired of the genre, but his elite controllers are really zealous to implant this alien paradigm in the minds of the masses.

Furthermore, Ray Santilli's infamous 1995 'Alien Autopsy' footage now widely accepted as a hoax can again be traced back to Spielberg. The film became all the rage in the international UFO community, with half the specialised publications featuring Santilli's alien corpse on their front covers. However, Santilli now appears to be just the front man for the real owner of the film. Santilli admitted in a BBC interview that the money behind the film came from Germany. French network TF1 subsequently reported that the film originated from an individual by the name of 'Herr Volker Spielberg.' TF1 tried to track this man down but he proved elusive.

Spielberg is clearly a tool of the elite. His work in Hollywood propagates the reality of an alien presence that has been imbedded in the body politic. This has been a success. Recent Roper polls tell us that 80% of the American population believe in UFO's.

In conclusion, consider the comments of UFO researcher Jacques Vallee:

"When I met Stephen Spielberg, I argued with him that the subject [of UFOs] was even more interesting if it wasn't extraterrestrials. If it was real, physical, but not ET. So he said, 'You're probably right, but that's not what the public is expecting - this is Hollywood and I want to give people something that's close to what they expect.'"

Why are the Rockefellers funding the UFO movement?

The Rockefeller family played pivotal roles in establishing the quasi-secret globalist Bilderberg, CFR, and Trilateral Commission groups. They represent the apex of elite monopoly capitalism. The Rockefellers have a penchant for controlling so-called radical 'anti-establishment' minorities.

Thirty years ago when the radical student movement was gaining momentum in North America, the Rockefeller dynasty was surprisingly quick to offer funds. A student leader James Simon Kunen, in his book entitled The Strawberry Incident, tells about the 1968 Students for a Democratic Society convention in which, "men from Business International Roundtables,... tried to buy up a few radicals. These men are the world's industrialists and they convene to decide how our lives are going to go. They offered to finance our demonstrations in Chicago. We were also offered ESSO (Rockefeller) money."

Richard Glenn croit encore qu’Hollywood veut nous éclairer et nous préparer à recevoir les ET. !!!

http://www.propagandamatrix.com/counterfeit_foe.html

EXTRAITS :

Let's delve into the evidence of how technological deception has been considered before, as a means of misleading populations. The Kennedy era, anti-Castro covert action plan Operation Mongoose was designed to destabilize Cuban society and turn it against Fidel Castro. Under the umbrella of this strategy was a program dubbed 'Elimination by Illumination.' It is found in the Congressional Record, in "Alleged Assassination Plots Involving Foreign Leaders, Interim Report of the Select Committee to Study Government Operations with Respect to Intelligence Activities," November 20, 1975. The plan was developed by an American Intelligence military psy-op specialist named Edward Lansdale.

The operation was to have an American Submarine surface inside Havana harbor at night and project a movie of a Jesus-like figure on the underside of the low-lying clouds that form over the harbor at night. A plane with muffled motors was to have circled just above the clouds while another operative with a loudspeaker exhorted the Cubans below to overthrow "Godless Communism."

The plan was never put into action but was seriously considered and, as stated, remains in the Congressional Record to this day.

An almost exact replica of this proposal came to light in a June 2000 Sydney Morning Herald report.

In 1991 during the Gulf War, top brass of the US Air Force drew up plans to project a giant holographic image of Allah over Baghdad. The scale of the project dictated a mirror several kilometres across up in space. However, a more practical method was suggested. When warm air lies on top of cold air, the difference in density is enough to bend
light. At higher altitudes, a mirage can make whole landscapes appear in the sky. An artificial mirage could in theory be made by heating the atmosphere with radio waves or microwaves. The USAF then had the problem of making the image appear to speak. They postulated, "a pulse stream, an internal acoustic field of 5-15KHz can be created which is audible. Thus it may be possible to 'talk' to adversaries in a way which would be most disturbing to them."

The plan was abandoned when it was realized that images of Allah are forbidden in Islam. The Iraqi's wouldn't know what they were looking at. Also, the practical difficulties in microwave transmission were described as formidable. A consistent and believable method of voice projection was considered highly improbable. However, a cursory look at existing US patents suggests such technology was easily procurable:

3,629,521 – Hearing Systems, Jan. 8, 1970

3,766,331 – Hearing Aid for Producing Sensations in the Brain, Nov. 24,1971

4,858,612 – Hearing Device, Dec. 1983

5,159,703 – Silent Subliminal Presentation System, Dec. 28, 1989

Going back to the Sydney Morning Herald piece, technologies perfect for staging a UFO threat are described:

"The military certainly appears to believe in the potential use of holograms. A USAF think-tank has devised uses ranging from deceptive holographic imaging to the Star Trek-sounding distortion field projector. These are

It won't take an Independence Day style show to convince people of this new alien threat. If 'official sources' say there is a threat and present limited evidence, the people will still lap it up. You'll either be with the government or with the aliens.

Just glance back to the information regarding heating the atmosphere to produce an artificial mirage. Such an application is entirely plausible using HAARP technology. Is this a facet of HAARP's agenda currently being conducted in Alaska?